However at the moment the XAVC L codec to get the best out of the camera (422 10 Bit) seems a pain. Having used DSLRs for a few years – dispensing with a heavy rig with Juice Link Boxes for decent audio, monitors, cables everywhere – using a video camera for video with everything in a small light package seems a good solution!!!! : ) I am thinking about the Sony X70 after seeing it at a Show in Manchester this week – looks a pretty good option for documentary style – Stabalisation feature was amazing – really easy to hold still even at the top end of the zoom -sample footage I found is very encouraging… I am sure Apple and Sony are working on a fix for this lets hope a solution will be available sooner rather than later. It’s not advisable to mix and match I frame and Long GOP footage on the same card. Sonys Catalyst Prepare does not transcode 4K L GOP footage as there are no presets for 4K PreRes (This may change)Įdit Ready is the best overall solution to transcode both HD and 4K Sony Long GOP footage to PreRes. There is no need to download the PDZK-LT2 plugin if you are working with FCPX 10.2. XAVC HD (Long GOP) as seen in the Sony X70 is not yet supported (HD only). XAVC L seen in the Sony FS7 is only supported up to HD, 4K footage is not yet supported. XAVC I seen in Sonys FS7 has also been supported both HD and 4K footage. XAVC S seen in Sonys A7s footage has always been supported in FCPX for a while now. Here are the facts to date when importing Sony’s XAVC footage into FCPX 10.2 XAVC I frame 3840 x 2160 50p 500Mbps via Sony’s XQD G series card.īoth Peter from FCP.Co and myself worked on this last evening into the small hours. XAVC I frame has always available to FCPX both on HD and 4K via your FS7 You can import XAVC Long GOP HD footage from your FS7 as you can see above. Once again you need Sony’s Catalyst Browse (FREE). You also can’t import XAVC HD (Long GOP) footage from Sonys PXW-X70.all you get is audio and small JPEG images. (above), you need to use Catalyst Browse/Prepare or Edit Ready. You can’t import directly into FCPX 10.2 via Sony’s FS7 4K XAVC L via FCPX 10.2 or you get a green screen like this. Or enter your EditReady serial under upgrades to purchase ScopeBox for just $69.95.Firstly if you stick to the rules you can import Sony’s XAVC L footage into FCPX v10.2 via an FS7. We’re also offering upgrades for existing EditReady customers. We’re so excited about this new functionality, that we’re offering a deal for people who buy EditReady and ScopeBox as a bundle. Buy EditReady and ScopeBox together and save! And if you’re shooting in Log, protune, cine-gamut, or any other format, you can still use EditReady’s LUT support to preview your shots as corrected video – the LUT-transformed video will be sent to ScopeBox as well. You don’t need to rewrap or transcode the footage to get access to professional quality QA tools. Any camera files EditReady supports: AVCHD, HDV, MXF, MOV and MP4. This means if you own both EditReady and ScopeBox you can now get live video scopes of your camera originals right from the EditReady preview player. Today we’ve made it possible to use ScopeBox with EditReady preview playback. Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. Users of FCPX, Premiere Pro, AfterEffects and other applications can use ScopeLink to attach ScopeBox to their timelines. EditReady 22.2 macOS - posted in Software: EditReady 22.2 macOS File size: 74 MB EditReady provides easy, powerful, and fast transcoding for video professionals. ScopeLink is a technology we introduced a few years ago allowing ScopeBox to see (and scope) the video signal inside another application. The major feature of both is addition of ScopeLink integration between the two applications. Today we shipped EditReady 1.4 and ScopeBox 3.5.
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